Chime
Ying QIAN
Perspectives,
Vol. 3, No. 1
The
train station went through a commotion when it started to
rain. Like the other three hundred migrant workers stuck at
the station, Chunsheng had just laid out old newspapers on
the ground, unpacked his quilt and got ready for a night of
camping out in the square. With the first drop of rain he
jumped up. While the other campers grumbled, got their things
together, slowly being herded by the guards to the underground
waiting hall, Chunsheng was already making his bed there.
A
twenty-three-year-old man from Hebei's countryside, Chunsheng
was given a nickname "Monkey" for his small face,
big deep eyes, and thin but very nimble body. Chunsheng's
parents were peasants, but the father had aspired to make
their youngest son into a bodyguard, therefore had sent the
boy to the Shaolin Temple to learn martial arts. The monastery
left a deep seal on the boy, who in three years grew into
a marvelous practitioner. While his muscles hardened he became
stubborn too-his parents realized that by sending him to the
monastery they had somewhat lost him. He was not to become
a bodyguard, for the temple had taught him not to acknowledge
a master for money and to practice his arts only in retreat.
He was not to stay at the temple either, for he was a born
wanderer for whom sutras were not enough to evoke the deepest
meditation. He left the temple last summer. Sitting head-between-knees
on the floor of the overloaded hard-seat compartment, with
sunflower seed shells falling on his back from some woman's
mouth, Chunsheng realized that the temple chimes had boarded
the train with him. Dang-dang-dang, many early mornings thereafter,
on the top birch of a bunk bed, in a room shared by ten or
more workmates, the sound of invisible chimes would come to
Chunsheng's dreams, almost choke him with its crystal clear
miracle. Dang-dang-dang. He would wake up and feel the delicate
morning air resting on his face, so still, only perturbed
by the rhythmic snores of his fellow sleepers. It was then
the morning sutra would come naturally to his lips, and he
would chant. He would chant in a voice so low that no one
ever noticed it.
Rain
continued, the night descended and the campers had settled
down underground. Some unpacked dry buns. Some took out a
deck of cards. Occasionally a child uttered one or two cries,
soon quietened by candy blocks or by mother's milk. Three
days more and the Spring Festival would be here. Yet they
were stuck in a railway traffic jam.
The
train tickets were sold out, not a single seat left. The hope
of arriving home to Sichuan or Hebei for the new year had
grown dim. Mostly migrants from villages, the campers had
arrived the Shanghai station from other cities where they
held their menial jobs-at textile factories near Suzhou, sun-glass
factories at Jiaxing, or motorcycle assembly factories as
far as Wenzhou. The Spring Festival was the time for them
to "pave the railroad" with the hard-earned money
but they decided against fattening the pockets of those "Yellow
Oxen"s-the name they gave to the black-market ticket
dealers-who wandered near the ticket windows and whispered,
"Want tickets?" Chunsheng had approached a "Yellow
Ox" with the question, "Say, do you have a ticket
to go to Zhenzhou?" The "Yellow Ox"--a Shanghainese
man in a leather jacket with a sad face--upon examining the
young worker, replied "400 yuan." Twice the normal
price; Chunsheng hesitated, and the sad-face strolled away.
Chunsheng was no client to these "Yellow Oxen".
They were servants to the city people, who had no time to
wait in line and could pay. But it was not the end of the
world. The train station sold tickets two days in advance.
The "Yellow Oxen" might have bought up all tickets
for today but tomorrow the campers could get up earlier and
queue for a normal-priced ticket at the window. And they could
be on their way in two days.
Next
to Chunsheng two girls rolled out their quilt on the floor.
Having to work long hours, and living in dorms where the tap,
shared by many, only had cold water, they had not bothered
to wash either the quilt or themselves often. But Chunsheng
liked the scent--in the monastery quilts also smelt like this,
with sweat, farce and dream lingering in them.
At that moment some whispers stirred in the waiting hall.
People were looking over their shoulders. Chunsheng looked
around and saw a girl, about 20 years old, was aiming her
video camera at an old man sitting not far from him. With
Anhui accent the old man tried to make sense out of himself,
but all he managed to say was, "Eh, of course I want
to go home quick, but the 'Yellow Oxen' have taken the tickets
and we have to wait." "But this is so unfair, you
must do something." The girl cried, "I will write
to the railway station about setting up a reservation system.
Under that system the tickets will bear the holders' name,
and you get on the train by showing your ID card with the
same name. Then the 'Yellow Oxen' cannot meddle with anything!"
Chunsheng
looked at her from the side. She was Shanghainese, wore her
undyed hair in a ponytail and there was a sunny sort of beauty
in her. More people gathered around her. Some murmured, "An
interview, an interview." Some asked, "Would this
be on TV?" Others kept silent, silently looking at her.
She
said, "This is not TV yet, because I have not yet graduated
from the Film Academy." And she added, "but this
is not for play either. I, I
"
She
recounted how on early morning that day she had come to the
station to get a ticket and found a huge crowd sleeping in
the square, how after she got a ticket from a "Yellow
Ox", she was making her way to the subway when something
caught her ears.
Suddenly she stopped as if she were choked by something. After
a few seconds she started to speak again, this time slowly
and clearly, "I heard someone chanting. Someone was chanting
a song. I had never heard anything like that. I stood there
for half a minute and the song disappeared. I could not find
the singer."
She
spent the day at the Shanghai library. In the evening a friend
called her on the mobile and they went shopping at the Grand
Gateway at Xu-jia-hui. Surrounded by ridiculously-shaped boots
she felt a strange nausea, and when the rain started she took
an abrupt leave from her bewildered friend. She took her father's
video camera and came to the station.
"When
I heard the song, I thought I had wasted my life because I
knew nothing about anything." The girl said.
Now
she came here to learn something, Chunsheng thought. Indeed
she had switched on the camera again, with the question, "How
do you feel about being a migrant worker?" A middle-aged
man, who had been preparing for his answer all the while when
others were talking, turned completely red when his turn came.
He said, "See, if I work hard in the city, monthly salary
comes every month for sure, and I can spend it however I like.
In the village we have to wait for harvest, and if it comes
at all, it comes with a lump sum which we have to stingily
save up for fear of no harvest next year. So I like to work
in the city." The interview went on. People answered
her in amusement and earnestness. She moved from one side
to another in order to catch a good shot, and her camera made
a chime-like noise whenever turned on and off.
There
could be no way she would understand, Chunsheng thought, but
she heard my song. Thus thinking, Chunsheng moved into his
quilt and got ready for sleep.
(The
author is a freelance writer based in Shanghai.)